Tuesday, February 18, 2020

Charles Portis (and thinking of Ronald, Andy's Cousin)

I'm really looking forward to reading this and knowing that it exists, The Dog of the South (1979)

From The New Yorker "What Charles Portis Taught Us" by Wells Tower postscript

In part, I love Portis because I feel less mean when I read him. It's not just that his novels are gentle and funny; it's that Portis's books have a way of conscripting the reader into their governing virtues - punctuality, automotive maintenance, straight talk, emotional continence. Puny virtues, as Portis himself once put it, yet it is a great and comforting gift (in these days especially) to offer readers escape into a place where such virtues reign.
It's hard to know whether Portis's work ushered much comfort into his own life. My sense is that he was lonely. I imagine he had a fair bit in common with Jimmy Burns, described in 'Gringos' as a "hard worker," "solitary as a snake," and, yes, "punctual." Portis never married and had no children. He never published another novel after 'Gringos,' from 1991.

Wednesday, January 15, 2020

Can a Person Change? (Scorsese on The Irishman)

The opening shot of Irishman, in a sense, played itself out by listening to..."In the Still of the Night." And when I heard the song, I just knew we had to be floating down the hall at this assisted living facility and wind up on this old man sitting in a chair. I get it.

I knew that...it would be compared to the long take in Copacabana in Goodfellas. But it didn't matter, because ultimately, it's been 20 years, and so I've spent a lot of time in these places and hospitals and emergency rooms and assisted living places...[with] people having difficult times in their lives and also people at the end of their lives. I know the routines. I know what it's like in the middle of night in the hospital while you're waiting because a patient is very close to you. What do you do? You just sit there. Nurses go by. The light changes. Lives go by. Beds go floating by. And all these lives, we know nothing about them. They just become old and gone. And it's a whole life has gone by, in a way.

But it's the mood and tone of those places that I spent a lot of time in.

Monday, January 6, 2020

advice/wisdom

don't mistake the stakes for the challenge. you've got this!

Friday, January 3, 2020

Thursday, January 2, 2020

Dunkirk

A re-appreciation with QT. Definitely a film that warrants multiple viewings. First time, I remember vividly a numbness and distance from the film.

Todd Haynes on Carol (visual storytelling/style)

"You'll see in 'Carol' a lot of shots shot through windows and glass, with interruptions between where we are and where object is. I hope that that conjures the whole act of looking as a predicament, as something that is never easy and completely attainable."