Of note: the bookends of the close-up on Val Kilmer before the first shot fired, and the close-up on Al Pacino after the last shot fired.
Saturday, December 29, 2018
Monday, December 24, 2018
Saturday, December 22, 2018
Thursday, December 20, 2018
Charles Schultz (Halloween, Thanksgiving, Christmas)
A Charlie Brown Christmas' completing the trilogy of Halloween, Thanksgiving. There's such a simple truth, melancholy with Charles Schultz's work that I've only realized this year.
"What's going on here?!?!
"Merry Christmas, Charlie Brown."
"What's going on here?!?!
"Merry Christmas, Charlie Brown."
Monday, December 17, 2018
A Long Strange Trip (Best of the Decade, 2010-19)
At Red Rocks, with my brother. From rainbows to black muddy rivers.
Saturday, December 15, 2018
Lady Bird (Best of the Decade, 2010-2019)
Insert the scene where Ladybird aka Christine is picked up on her way to the prom. "Are you really gonna go with them?" "Yes, I think I am."
In the car "Crash Into Me" by Dave Matthews Band comes on the radio.
In the car "Crash Into Me" by Dave Matthews Band comes on the radio.
Horace & Pete (Best of the Decade, 2010-2019)
On a Saturday night, a Sunday night scene about online dating and falling.
Sunday, December 9, 2018
Roxy 75 (Going Back)
Friday, December 7, 2018
Mood (on a friday night in december)
(i slipped on some stairs carrying my dog) bruce played this five straight night in LA 75. never played it again.
Monday, December 3, 2018
In Hiding
Shame, art, and hope in 2018 for my particular age group.
https://www.thecut.com/2018/11/im-broke-and-friendless-and-ive-wasted-my-whole-life.html?fbclid=IwAR3Eo3rjhV1lwgouxRrOokyYCcu4HdwWRL1KSp-rZ6-0eUvZg9HFt0I1NS8
https://www.thecut.com/2018/11/im-broke-and-friendless-and-ive-wasted-my-whole-life.html?fbclid=IwAR3Eo3rjhV1lwgouxRrOokyYCcu4HdwWRL1KSp-rZ6-0eUvZg9HFt0I1NS8
Monday, October 8, 2018
Saturday, October 6, 2018
Thursday, June 21, 2018
Saturday, April 21, 2018
Friday, April 6, 2018
Thursday, April 5, 2018
Roger Ebert (on Tree Of Life)
Many films diminish us. They cheapen us, masturbate our senses, hammer us with shabby thrills, diminish the value of life. Some few films evoke the wonderment of life's experience, and those I consider a form of prayer. Not prayer "to" anyone or anything, but prayer "about" everyone and everything. I believe prayer that makes requests is pointless. What will be, will be. But I value the kind of prayer when you stand at the edge of the sea, or beneath a tree, or smell a flower, or love someone, or do a good thing. Those prayers validate existence and snatch it away from meaningless routine.
Friday, March 16, 2018
Thursday, March 15, 2018
Tuesday, February 27, 2018
PTA's Phantom Thread Pre-Show Playlist (70mm Screenings)
- “Blue Sands” – The Chico Hamilton Quintet
- “Portrait of My Love” – Cyril Ornadel & Starlight Symphony
- “You’re So Vain” – Carly Simon
- “Dolly Suite, Op. 56: I. Berceuse” – Gabriel Fauré, Katia Labèque
- “I’ll Always Be in Love with You” – Helen Forrest
- “I’m Making Believe” – Ella Fitzgerald & The Ink Spots
- “Hey, That’s No Way to Say Goodbye” – Roberta Flack
- “Nobody Does It Better” – Carly Simon
- “Impression of a Princess” – Danish State Radio Orchestra & Robert Farnon
- “My Ship” – Oscar Peterson and Nelson Riddle
- “Razor Love” – Neil Young
- “Suspicions” – Bernard Herrmann
- “Thirteen (Alternate Mix)” – Big Star
- “Coming Around Again” – Carly Simon
- “Portrait of Jenny” – Oscar Peterson and Nelson Riddle
- “Two Blind Loves” – Jack Teagarden and his Orchestra, Kitty Kallen
- “I’m On Fire” – Bruce Springsteen
- “Three Little Words” – Jack Teagarden and his Orchestra
- “Stay (feat. Mikky Ekko)” – Rihanna
- “Lord of the Manor” – The Everly Brothers
- “Come Sunday” – Oscar Peterson and Nelson Riddle
- “XO” – Beyoncé
- “Farewell (from the film The Constant Nymph)” – Erich Wolfgang Korngold
Tuesday, February 20, 2018
Altman in 2018/1975
I think Altman is, like F. Scott Fitzgerald, one of the great poets of failure. His real attraction is to that secret underside of the American dream: humiliation, embarrassment, loss of status, and the abiding anxiety the fear of these produces.
-- Molly Haskell on NASHVILLE
-- Molly Haskell on NASHVILLE
Monday, February 19, 2018
Sunday, February 11, 2018
Thursday, February 8, 2018
Monday, January 8, 2018
Brawl on Cell Block 99 (Dir. S. Craig Zahler)
God Damn! God Damn!! God Damn!!!
The violence in the film, especially toward the end, is intensely shocking and graphic. Given that “do it on the set” attitude, did you stick with practical effects?
The violence in the film, especially toward the end, is intensely shocking and graphic. Given that “do it on the set” attitude, did you stick with practical effects?
One hundred percent practical effects. There is nothing there that’s not practical. It’s the same thing: make it happen on the day, and figure it out. A couple of moments fell a little short, and we went back and did a little pick-up shoot after the movie was done. But it’s the same idea of how to affect the audience. My feeling is, if it’s a digital effect that doesn’t look entirely real, which is the case in $150 million movies, there’s nothing there, and you can feel it. If it’s a practical effect and it looks pretty good, but not 100 percent right, you can still feel there’s something real there. Maybe all the qualities aren’t completely right, the audience says, “That’s a little rubbery,” but there’s still something to talk about. Whereas when it’s digital and it doesn’t work, your mind goes, “Well, it’s all computers.” It’s a different thing on a subconscious level. It’s the same reason I try to have as few edits as possible in my movies, because every edit is a suspension of disbelief.
Thursday, January 4, 2018
Monday, January 1, 2018
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