Ebert -- The Tree of Life/The Apartment

"The movie captures the unplanned unfolding of summer days, and the overheard words of people almost talking to themselves.

The film's portrait of everyday life, inspired by Malick's memories of his hometown of Waco, Texas, is bounded by two immensities, one of space and time, and the other of spirituality. The Tree of Life has awe-inspiring visuals suggesting the birth and expansion of the universe, the appearance of life on a microscopic level and the evolution of species. This process leads to the present moment, and to all of us. We were created in the Big Bang and over untold millions of years, molecules formed themselves into, well, you and me.

And what comes after? In whispered words near the beginning, 'nature' and 'grace' are heard. We have seen nature as it gives and takes away; one of the family's boys dies. We also see how it works with time, as Jack O'Brien (Hunter McCracken) grows into a middle-aged man (Sean Penn) And what then? The film's coda provides a vision of an afterlife, a desolate landscape on which quiet people solemnly recognize and greet one another, and all is understood in the fullness of time."

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"There is a melancholy gulf over the holidays between those who have someplace to go, and those who do not. The Apartment is so affecting partly because of that buried reason: It takes place on the shortest days of the year, when dusk falls swiftly and the streets are cold, when after the office party some people go home to their families and others go home to apartments where they haven't even bothered to put up a tree. On Christmas Eve, more than any other night of the year, the lonely person feels robbed of something that was there in childhood and isn't there anymore."