Friday, May 9, 2014

Nick's Picks

Some Grateful Dead shows I wouldn't have bothered to listen to without this article. Notably, he has an ear for eighties dead.


1/22/78, MacArthur Court, Eugene, Oreg.
1978 got a little sloppy, but this one is a monster. Start with “Terrapin,” or else “The Other One.” Listen for the “Close Encounters” theme prior to “St. Stephen.” “Not Fade Away,” often rote, shows some special snarl. Sounds like Garcia was abducted by aliens. (Listen here.)
1/15/79, Springfield Civic Center, Springfield, Mass.
The end of the Keith and Donna Godchaux era had its ups and downs, this night being no exception. But the way the “I Need a Miracle” crashes into “Shakedown Street” is unique and stately. It sounds almost (banish the thought) pre-meditated. The pretty, chimey jam out of “Drums” into the so-called “Playin Reprise” ends with warp-speed Garcia fingerwork that boggles the mind, until you hear the band careen into “Casey Jones,” and then it all makes pharmacological sense. (Listen here.)
11/30/80, Fox Theater, Atlanta, Ga.
An old cult favorite. The whole second set, courtesy of Dr. Bob Wagner. The “Scarlet Begonias”-“Fire on the Mountain” may be the main attraction, but the “Playin’ ” jam is a headlong fever dream—not for the faint of ear. The way “The Wheel” comes out of the “Space” is real purty, though, as is the weepy, deliberate “Ship of Fools.” (Listen here.)
8/29/83, Silva Hall, Hult Center, Eugene, Oreg.
In the early- to mid-eighties, there were marquee nights and grim ones. You could build a rescue raft out of a dozen sturdy “China”-“Rider”s. I just adopted this version, even though no one else I know really seems to know it. The band plays faster than ever, tight and coke-y bombastic bluegrass. The recording is rough (this is why God made equalizers, or other bands), but Garcia blazes. You’ll shed a few pounds. (Listen here.)
7/13/84, Greek Theatre, Berkeley, Calif.
The “Scarlet”-“Touch of Grey”-“Fire” (this was before “Touch of Grey” had been recorded; it’s brisker here) is a beloved oddity. Garcia, often AWOL in 1984, comes to play. The synthy keyboards may frighten off “Alligator” fans, but let’s not forget this was the era of Wham! There’s also another beautiful “Space”-“Wheel” (it’s happenstance, the combo is not a fetish of mine), a death-shrouded “Stella Blue,” a floor-bouncing “Sugar Magnolia,” and then a rare thing for this era, “Dark Star,” as an encore—in the lore, a shooting star blessed the breakout. You’re not in 1969 anymore, but still, a taste of the old magic. With apologies to 10/12/84. (Listen here.)

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